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Satirical
Cartoon Published 120 years today, December 21, 1895, on the cover of the weekly
magazine Judge (New York): Take
home lesson - Money and Profits always trump principles or obligations!
December 21, 2015
Special
to Groong by Eugene L. Taylor and Abraham D. Krikorian
LONG ISLAND,
NY
This brief notice deals with a political cartoon
published during the height of the Hamidian massacres. It may appear peculiar that it was published
a few days before Christmas but that was so and why will become apparent in a
moment.
On pg. 5 of 31 December 1895 issue of the
New York Times an article captioned:
“Appeals to civilization.
The Armenian Relief Association [based in New York City] pleads for
help. – Money sent, but something more than money needed – England
urged to stop the massacres.”
A detailed overview of the massacres as
well as the content of a cable from the Armenian Relief Association to The
London Times and The London Daily News are provided and read as follows:
“To the Editors of the
London Times and The Daily News: Sir: Europe
pushed Armenia into the mouth of hell and turned to celebrate Christmas (emphasis
ours). If the Continental powers are
dead to honor and conscience, can England
forget justice? Does she not believe in
Almighty God, that she waits for help before stopping the wholesale
assassination of Christian ministers and their flocks and the ravishing of
maidens? We send thousands of pounds to
Grosvenor House Committee. But what
avails food when fire and sword exterminate?
Shall we advise Armenians to apostasize?” … signed
J. Bleeker Miller, Chairman, Herant M. Kiretchjian, General Secretary, Armenian
Relief Association.” (See also the exceedingly rare Armenian Relief Association
Bulletin No. 1 and 2, Oct. 1895-Dec. 1895.)
Some insights into this sordid matter may
be gained by relying on a British politician who ‘told it like it was.’ He laid things squarely and bluntly on the
table. ‘The Armenian peasant has no
rights. He huddles amid plenty in an
inhuman poverty. He works from grey dawn
to sunset for the tax-collector, the brigand, and the
Turkish landlord. One only wonders what
splendid obstinacy has kept him to his Christian faith, what masterful hope
persuades him to rear sons for serfdom and daughters for dishonor…. — We
persuaded ourselves that if only we stole Cyprus and sent out a few travelling
consuls to tell the Kurds that they were splendid fellows, but they really mustn’t
kill so many Armenians, everything would go well. We led the Congress of Berlin and we
guaranteed the most sweeping reforms, and then we had a Commission appointed to
draw them up. They contained on paper
all that an enlightened people could ask, unless it
were that they omitted female franchise.
From that day to this we have done nothing to fulfil our promise or
enforce our reforms. …We cannot wash our hands of our work without disloyalty. Our written pledges stand, and the “simple
plan” of doing nothing is a policy of repudiation and dishonor.’
We have identified a framed cartoon from
our collection that underscores this very succinctly, and reflects fully what one
can read above.
The imagery needs no detailed explanation
or interpretation.
The ruthlessly blunt caption states:- “John Bull hated to drop his bundle. That’s why the Turk always laughed at the
idea of Christian retribution.” Some say
that this essentially “savages” John Bull (England) who is clutching a huge bag
bearing the label “England’s Commercial Interests in the Orient.” Armenia, on her knees at the right pleads
with John Bull. Under her sash we read
“Armenia.” The heads on pikes merit no
special elaboration. The Turk at the
left may or may not be a caricature of Sultan Abdul Hamid II, or merely a
rendering of the what came to be stereotyped as the
“Unspeakable Turk.”
This graphic example of pictorial satire art work was drawn by New York artist Frederick Victor
Gillam (b. 1865- died 29 January 1920). (Both he and his older brother Bernhard
Gillam (1856-1896) were cartoonists. Although Bernhard is described as being
more prolific than brother Frederick, the latter was stated to have been a
better artist. Their father, Sewall
Gillam brought them over from England when they were quite young. While his brother was alive, Frederick signed his
art Victor
but after the passing of his brother he used the surname Gillam. Since this art work derives from 1895 Victor may be seen on the
lower right hand corner.
We need not say much here about Judge.
It was lunched 29 October 1881 and
continued for quite a few years well into the middle of the next century. The political cartoons are usually excellent
and are much sought after by collectors.
We provide below as well an image of
Frederick Victor Gillam from an article issued in 1894 (see Munsey’s Magazine
volume 10 (1894) pgs. 538-550 [at 547] entitled “Our caricaturists and
cartoonists” by Harold Payne)
Redistribution of
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